Bacalar is inspired by the vernacular typography found on “colectivo buses” used to transport people in Yucatan peninsula (Mexico). Geometric forms contrast with very thin details and reversed contrast. Bacalar brutalist, mechanical character is delivered in 10 width styles + 1 variable font.
Language support: Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Bosnian, Catalan, Cebuano, Chiga, Colognian, Cornish, Corsican, Croatian, Czech, Danish, Embu, English, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Hungarian, Icelandic, Ido, Indonesian, Interlingua, Irish, Italian, Javanese, Jju, Kabuverdianu, Kalaallisut, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Kurdish, Latvian, Lithuanian, Lojban, Low German, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Maltese, Manx, Māori, Meru, Morisyen, North Ndebele, Northern Sotho, Norwegian Bokmål, Norwegian Nynorsk, Nyanja, Nyankole, Occitan, Oromo, Polish, Portuguese, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Sardinian, Scottish Gaelic, Sena, Shambala, Shona, Slovak, Slovenian, Soga, Somali, South Ndebele, Southern Sotho, Spanish, Swahili, Swati, Swedish, Swiss German, Taita, Taroko, Teso, Tsonga, Tswana, Turkmen, Upper Sorbian, Vunjo, Walloon, Walser, Welsh, Xhosa and Zulu
Glyph count: 393
Graduate of the Graphic Design Department of the Academy of Fine Arts in Warsaw with honors. Laureate of the Scholarship of the Minister of Culture five times, as well as “Młoda Polska” (“Young Poland”) scholarship.
Awarded in TDC ASCENDERS 2018, KTR the best of design 2018 and many more competitions. Focused on the fields of visual identity, graphic design in general, and type design.
